The release of the Thypoch Simera-C 16mm T1.9 lens and the expanded six-lens kit is an exciting development in the world of cinema lenses, offering a new ultra-wide prime and a comprehensive focal range. This article delves into the key features and implications of this release, providing a critical analysis and personal perspective on its significance in the film industry.
A New Ultra-Wide Prime
The 16mm T1.9 lens is a standout feature of this release, offering a 106° diagonal field of view, near-zero distortion, and a compact build. Personally, I find it fascinating that Thypoch has managed to achieve such a wide angle of view while maintaining the optical complexity required for full-frame sensors. This lens is a testament to the brand's commitment to pushing the boundaries of what's possible in compact cinema lenses.
What makes this particularly interesting is the lens's compatibility with various camera systems, including Sony E-mount and Leica M-mount. This versatility allows filmmakers to choose the best camera system for their needs, whether it's a compact cinema camera or a mirrorless body. The lens's maximum image circle of 43.2mm ensures full-frame coverage, making it a versatile tool for a wide range of production scenarios.
Workflow Compatibility and Flexibility
One of the standout features of the Simera-C series is its workflow compatibility across different mounts and rigs. The M-mount option, in particular, stands out as a flexible choice for mixed-system productions. With standard adapters, the lens can be used with a wide range of mirrorless mounts, including L-mount, Canon RF, Nikon Z, and Fujifilm X. This level of compatibility is a game-changer for filmmakers who want to work with different camera systems without having to invest in multiple lens sets.
What many people don't realize is the potential for the Simera-C set to be used with ARRI Alexa Mini LF, Alexa Mini, and Amira bodies, as well as Sony VENICE, thanks to third-party locking adapters. This opens up a world of possibilities for filmmakers working with high-end cinema cameras, allowing them to leverage the compact dimensions and consistent handling of the Simera-C series.
The Six-Lens Kit and Case Options
The release of the six-lens kit is a significant development, offering a complete focal range from ultra-wide to medium telephoto. The kit bundles the new 16mm T1.9 with the existing 21mm, 28mm, 35mm, 50mm, and 75mm primes, available in either Sony E-mount or Leica M-mount. This comprehensive package is a game-changer for filmmakers who want to have all the focal lengths they need in one kit.
In my opinion, the six-lens kit is a must-have for any filmmaker looking to work with the Simera-C series. The consistent handling and compact dimensions of the lenses make it easy to switch between focal lengths, and the kit's overall weight of under 3kg is a significant advantage over other lens sets.
Thypoch's introduction of dedicated metal hard cases and custom foam inserts is a thoughtful addition, offering filmmakers a secure and organized way to transport their lenses. The foam inserts, in particular, are a great solution for those who already rely on standard hard cases, ensuring that the lenses fit securely and safely.
Pricing and Availability
The pricing of the 16mm T1.9 lens and the six-lens kit is competitive, with the Sony E-mount version priced at $879 and the Leica M-mount version at $959. The six-lens kit is available in both E-mount and M-mount, with prices of $4,369 and $4,849, respectively. The dedicated metal hard case is priced at $199, with custom foam inserts costing $50 and $80, depending on configuration.
From my perspective, the pricing of the Simera-C series is fair, considering the quality and versatility of the lenses. The six-lens kit, in particular, offers excellent value for money, providing a complete focal range and a secure way to transport the lenses.
Conclusion
In conclusion, the release of the Thypoch Simera-C 16mm T1.9 lens and the expanded six-lens kit is a significant development in the world of cinema lenses. The lens's ultra-wide field of view, near-zero distortion, and workflow compatibility make it a versatile tool for filmmakers, while the six-lens kit offers a complete focal range and secure transportation options. Personally, I believe that this release is a game-changer for filmmakers looking to work with compact cinema lenses, offering a level of versatility and quality that's hard to beat.
